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Brancusi-autoportret
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crama Reginei Maria-Balcic
Fausto-Podavini
It was a moment that marked a turning point in postwar Europe: Anita Ekberg wading through the Fontana di Trevi in Federico Fellini's film La Dolce Vita, as improbably voluptuous as the fountain itself. La Dolce Vita was shot in 1960, and while Ekberg's l
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wine and music
ochi-muzica
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Polera-si-Brancusi

Polera-si-Brancusi from Bacau Soprano
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