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It was a moment that marked a turning point in postwar Europe: Anita Ekberg wading through the Fontana di Trevi in Federico Fellini's film La Dolce Vita, as improbably voluptuous as the fountain itself. La Dolce Vita was shot in 1960, and while Ekberg's l
La-cules-de-struguri
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536628_10150992278226693_1351922168_n from Bacau Soprano
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